Studio Repromotion 41
"De Cock, who was the first living Belgian to have a solo show (2008) at New York’s MOMA, plays the space with his usual wealth of allusions that reflects upon the exhibition site. The four-part combination of sculptural installation and photographic work allows the “re-promotion” to be interpreted as an exercise of repetition or recalling differences in the similar. But what was “promoted” or emphasized once more here was not De Cock’s hyperaffirmative artistic humor, but rather a central problem of his work, which has been exploring the heritage of modernism for some time." (Thomas Edlinger in EIKON #70, S. 32)
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