Medium: Acrylic and oil on canvas.

Good To Know: Stretched canvas on wooden box frame, artwork is shipped directly from the artist studio, accompanied by a CoA (Cert. of Authenticity) issued by the artist.

Asking Price: Excludes international shipping and applicable import duties / charges. Please contact our gallery to obtain a shipping quote.

Art Money: 10 payments. 10 months. 0 interest.

For our Australian, American, New Zealand and British clients, we partner with Art Money to make art more accessible, supporting artists and a sustainable creative economy. Art Money allows you to enjoy your artwork now and pay over time. Please contact our gallery for more information.

Arty-Fact: "From a shockingly inappropriate young age, I was exposed to the idea of torture. I can confidently say that for a child with my vivid imagination it was, and remains to be my single scariest haunting thought until this day.

"Overhearing adults recalling stories of torture in the Arab world from the 60s, 70s and, 80s, and hearing and seeing torture scenes in films like "Kitkat" (which sadly remains one of my absolute favourite movies), I suffered high anxiety as a child of 7 or 8 years old from these thoughts. So, when the Arab Spring unleashed a wave of torture and abuse as authoritarian regimes clamped down to cling to power, that fear once again surfaced and, I became obsessed with the idea of torture.

"While alone in my studio in Singapore, I listened to online radio reporting the events from the Middle East. I would make notes and research techniques such as "The Flying Carpet" and "The German Chair" - techniques used against the brave protestors in a renewed absolute horror." ~ Rasha Eleyan

Article: The Occupation of Rasha Eleyan: Pop Art and Palestine [Copy link to browser: https://bit.ly/3bHecrs]